This is a palpable step into the modern age, putting functional design into the spotlight. The history of the D4 at Tecta began in the mid-1970s. While researching, Axel Bruchhäuser came across Breuer’s initial designs and sought contact with the designer. He told him that the folding chair was much more beautiful than the version with runners and that it simply had to be produced. Breuer was pleased that his design had been discovered and replied: “The resurfacing of this chair is like an old forgotten dream.” He saw this chair as the result of a genetic-constructive development that began with the four-legged Wassily chair, continued with the addition of runners by the Junkers Aircraft Factory, and finally ended in the folding chair.

Improved until no further enhancement was possible. Pared down to the essentials, its minimalism incorporates the motif of movement in that it could be folded, stowed away and easily transported. Due to the more economical use of tubular steel and elimination of the lateral seat straps, it consumed less material while affording the sitter much greater comfort.

In 1980 the D4 was added to the permanent collection of the Museum of Modern Art, New York. A unique specimen of the first armchair, featuring Peter Keler’s horsehair fabric, is held in the permanent collection of the Cantilever Chair Museum in Lauenförde. This version is an airy construction using a minimum of material.