Günter Beltzig
Floris chair, 1967
Polyester, lacquered, orange
H 107.5 W 35.5 D 59 cm
From the 1st edition, only 35-50 examples produced
Labeled with producers label
€7,450.00
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The Floris Chair (ca. 1967) by Günter Beltzig is a landmark of 1960s radical design, showcasing the era’s experimental approach to form and function. The Floris Chair (ca. 1967) by Günter Beltzig is a landmark of 1960s radical design, showcasing the era’s experimental approach to form and function.
The Floris Chair (ca. 1967) by Günter Beltzig is a landmark of 1960s radical design, showcasing the era’s experimental approach to form and function. Made from orange lacquered polyester, its anthropomorphic shape challenges traditional seating norms and reflects Beltzig’s protest against rigid functionalism. Ergonomically designed for comfort, the chair aligns with the countercultural movements of the late 1960s that sought to redefine societal values. First exhibited at the 1968 Cologne Furniture Fair alongside groundbreaking works like Verner Panton’s Visiona 0, the chair was produced in a limited edition of 35 to 50 pieces, each handcrafted in Beltzig’s Wuppertal workshop. Now part of prestigious collections such as the Stedelijk Museum Amsterdam, the Floris Chair remains a symbol of 1960s innovation, blending avant-garde aesthetics with functional design.
Literature
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Grunewald, Almut & Hoffmann, Tobias (eds.): Experiment 70. Designvisionen von Luigi Colani und Günter Beltzig. Heidelberg: Edition Braus, 2002, ill.
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Decelle, Philippe / Hennebert, Diane / Loze, Pierre: L’Utopie du Tout Plastique, 1960–1973. Brussels: Fondation pour l’Architecture / Norma Editions, 1994, ill.
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Fiell, Charlotte & Fiell, Peter: 1000 Chairs. Cologne: Taschen, 1997 and later editions, ill.
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