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Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978
Open a larger version of the following image in a popup: Bernard Aubertin, Tableau brûlé, 1978

Bernard Aubertin

Tableau brûlé, 1978
Burned wood, in plexiglass case
H 100 W 82 D 10 cm (excluding frame)
Unique
Signed and dated front
15000-20000
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A rare large-scale Tableau brûlé from 1978, created during Bernard Aubertin's mature period. Using fire as both medium and subject, Aubertin transformed painting into an irreversible physical event, making these works among the most iconic expressions of the ZERO movement and post-war European abstraction.
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Bernard Aubertin

Tableau brûlé, 1978

Created in 1978, this monumental Tableau brûlé belongs to Bernard Aubertin's most celebrated body of work. Having devoted the early years of his career to monochrome red painting, Aubertin gradually introduced fire as both subject and medium, transforming combustion into an essential part of the artistic process.

Rather than depicting fire, Aubertin employed it as a creative force. Carefully arranged matches were ignited across the surface, leaving behind traces of smoke, ash and charred wood. The resulting work records an irreversible act of transformation in which destruction and creation become inseparable.

Executed at nearly one metre in height, this large-scale example possesses an exceptional architectural presence. The work originates from Galerie Swetec, Düsseldorf, one of the galleries closely associated with Aubertin's practice, and is accompanied by its original protective Plexiglas cover.

A defining example of post-war European avant-garde, Tableau brûlé embodies Aubertin's lifelong investigation into colour, material, fire and the physical reality of painting.

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Provenance

Private collection, Belgium via Gallery Swetec - Düsseldorf

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